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Marina and the Diamonds the Family Jewels Album Cover

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2010 studio album by Marina and the Diamonds

The Family Jewels
The face of a young brunette woman, lying sideways on a floral patterned background. In the top left corner of the image, the words "Marina and the Diamonds" and "The Family Jewels" are placed.
Studio anthology by

Marina and the Diamonds
Released 15 February 2010 (2010-02-15)
Recorded 2007–2009
Studio
  • The Ivory Tower[a]
  • Konk, London[b]
  • Biffco, Brighton[c]
  • Xi, London[d]
  • Sarm 2, London[east]
  • Kingsize Soundlabs, Los Angeles[f]
Genre
  • Alternative pop
  • bubblegum-punk
  • electropop
  • synth-pop
Length 45:35
Label
  • 679
  • Atlantic
Producer
  • Marina Diamandis
  • Pascal Gabriel
  • Liam Howe
  • Ash Howes
  • Greg Kurstin
  • Richard "Biff" Stannard
  • Starsmith
Marina and the Diamonds chronology
The Crown Jewels EP
(2009) 		The Family unit Jewels
(2010) 		Electra Heart
(2012)
Singles from The Family Jewels
  1. "Obsessions"
    Released: 14 Feb 2009
  2. "Mowgli'due south Road"
    Released: 13 November 2009
  3. "Hollywood"
    Released: i February 2010
  4. "I Am Not a Robot"
    Released: 23 April 2010
  5. "Oh No!"
    Released: 2 Baronial 2010
  6. "Shampain"
    Released: 11 October 2010

The Family Jewels is the debut studio album by Welsh vocalizer Marina Diamandis, released under the stage proper name Marina and the Diamonds. Information technology was released on fifteen February 2010 past 679 Recordings and Atlantic Records. Diamandis collaborated with several producers including Pascal Gabriel, Liam Howe, Greg Kurstin, Richard "Biff" Stannard, and Starsmith during its recording. She identifies the lyrical themes as "the seduction of commercialism, mod social values, family, and female sexuality."[1]

Contemporary music critics gave The Family Jewels fairly positive reviews, with the song commitment dividing opinions. The tape debuted at number 5 on the UK Albums Chart with beginning-week sales of 27,618 copies. The album was somewhen certified Gold by the British Phonographic Manufacture (BPI) and has sold 195,358 units in the United Kingdom. The Family Jewels performed moderately on international record charts; it peaked at number 138 on the Billboard 200 in the The states, selling 4,000 copies its offset week.

The Family Jewels was supported past 5 singles, all of which were supplemented past accompanying music videos. "Mowgli's Road" was released on xiii Nov 2009, although "Hollywood" became its first charting runway after reaching number 12 on the UK Singles Nautical chart. Follow-up singles "I Am Not a Robot", "Oh No!" and "Shampain" respectively peaked at numbers 26, 38, and 141 in the Uk. The record was additionally promoted by Diamandis' headlining The Family Jewels Bout, which visited Australia, Europe and Due north America from January 2010 through December 2011.

Groundwork [edit]

Born and raised in South Due east Wales, Diamandis moved to London at the age of 18 to written report music, despite not having a musical background. After dropping out of four institutions and failing in auditions, she began composing her ain music.[2] After the success of her Myspace-released EP Mermaid vs. Sailor in 2007, she was signed past Neon Gold Records the following year and by 679 Artists in October 2008.[iii] In 2009, later on playing at a variety of festivals including Glastonbury in the summertime,[4] she ranked in 2nd place in the BBC'due south Sound of 2010[5] and was ane of the iii nominees for the Critics' Choice Award at the 2010 Brit Awards.[6] In a 2012 interview with Between the Lines, Diamandis said that the album'south title came from a slang term for testes, but she had been too coy to admit it before.[seven]

Composition [edit]

The Family Jewels is mainly an alt-popular,[8] bubblegum-punk,[9] electropop,[10] and synth-popular record[11] with influences of 1980s trip the light fantastic music and late-1990s female rock.[12] Diamandis explained that the album is "a body of piece of work largely inspired by the seduction of capitalism, modern social values, family and female sexuality", intended to be "enjoyed and consumed as a story and theory that encourages people to question themselves".[1]

"I think it's a actually diverse album stylistically speaking because I'yard such a flexible writer. So there's a lot of pop on it, simply there's kind of a lot of leftfield experimental stuff too. It's basically an anthology about what not to be."

— Diamandis explaining the album'due south musical way to Clash, Jan 2010[13]

In a review for Q, author Hugh Montgomery noted genres such equally disco ("Shampain"), bubblegum punk ("Girls") and cabaret ("Hermit the Frog").[14] The opening track, "Are Yous Satisfied?", ponders the meaning of a fulfilling life; a writer for The Line of All-time Fit likened it to the thinking of Danish existentialist philosopher Søren Kierkegaard.[15] In a January 2010 interview with The Daily Telegraph, Diamandis admitted that she "cringes" at the lyrics of the song "Girls", which "could be seen every bit a fleck misogynistic", including the lines "Girls they never befriend me/'Cause I autumn asleep when they speak/Of all the calories they swallow"; she clarified that the lyrics concerned her own psychological bug with weight.[2] A Neon Gold press release for a limited double A-side of "Obsessions" and "Mowgli'southward Road" described the former as a "bold and ambitious ... principal work" and the latter equally a "a high intensity, left field pop smash".[16]

Diamandis claimed that she made producer Liam Howe accept 486 song takes for "The Outsider".[17] [18] "Hollywood" takes inspiration from Diamandis' previous obsession with American glory civilization,[5] while in "I Am Not a Robot", her favourite track from the album, she sings to tell herself to accept imperfection, with lines such as "you've been interim atrocious tough lately, smoking a lot of cigarettes lately ... don't be so pathetic"; she expected audiences to be able to relate to the vocal.[19] "Numb" is an orchestral pop vocal that reflects on the dedication and sacrifice needed during her early years in London;[twenty] [two] "Oh No!" and "Are You Satisfied?" take like lyrical themes.[21] "Oh No!" was a belatedly add-on to the track listing, causing some reviews of the album to not include it.[17] The album had initially been scheduled for release in Oct 2009, and was delayed by Diamandis' self-confessed perfectionism.[22]

Release and promotion [edit]

Music videos [edit]

In 2008, Diamandis filmed videos for the tracks "Seventeen" and "Obsessions".[23] The post-obit year, lensman Rankin directed the accompaniment for "I Am Non a Robot", which used much body glitter.[24] [25] The video for "Mowgli's Road" featured Diamandis and ii dancers, with puppeteers standing in front of them to give them the impression of having concertina limbs; it was shot over 17 hours.[22] Polish creative person Kinga Burza shot the "archetype pop video" for "Hollywood", with the aim to "make her audiences fall in love her even more, perhaps crave a little popcorn and experience inspired to dress up for fun".[26] Burza as well filmed the video for "Oh No!", with an aesthetic based on "zany neon" MTV graphics and the fame-hungry lyrics.[27] The video to "Shampain" made an homage to Michael Jackson's Thriller.[24] Dan Knight made a video for Dank Gonzales' "stripped-down" remix of "Hollywood" that was intended to be the opposite of Burza'due south official video. In the video, Gonzales and Diamandis perform on a 1980s Estonian music prove complete with subtitles.[28]

Singles [edit]

"Obsessions" was Diamandis' first single, released on xiv February 2009,[xvi] and "Mowgli's Road" followed on 13 November 2009.[29] She chose the song equally an "uncommercial" taster due to its oddness, simply it received attending after existence shared by the likes of Perez Hilton and Kanye West.[thirty]

"Hollywood" was released as the album's 2d single and Diamandis' showtime major release on 1 February 2010.[1] Information technology reached number 12 on the Britain Singles Nautical chart.[31] It was followed on 26 April by "I Am Not a Robot", which peaked at number 26 on the aforementioned listing.[31] "Oh No!" was released as the album's fourth single on ii August but in the UK and Ireland; it charted at number 38.[31] "Shampain" was released every bit the album's fifth and final single on eleven October, again only in the same region,[32] and reached number 141 in the United kingdom of great britain and northern ireland.[33] "I Am Not a Robot" was nominated for the 2010 Popjustice £20 Music Prize for best British single, eventually losing to "Kickstarts" by Example.[34]

Tour [edit]

Diamandis went on her first headlining tour to promote the album, performing in Europe, North America and Australia. Dates included the Glastonbury Festival 2010, Due south past Southwest and the Falls Festival. In parallel to headlining her own bout in the United States in mid-2011, she was an opening deed for Katy Perry's California Dreams Tour,[35] and finished by opening for Coldplay'south Mylo Xyloto Tour at the Manchester Arena that Dec.[36] After a functioning at Manchester'south Deaf Found on 21 February 2010, Contactmusic.com author Katy Ratican awarded Diamandis a 9/10 rating, stating, "Side by side time she plays Manchester, it volition be to a sold out Academy 2 audience, with a top-selling album gracing the merchandising stand up. Marina won't be playing to a few hundred people above a trendy bar in the foreseeable time to come".[37]

Disquisitional reception [edit]

Professional ratings
Aggregate scores
Source Rating
AnyDecentMusic? 6.eight/10[46]
Metacritic 68/100[38]
Review scores
Source Rating
AllMusic [12]
The A.Five. Club C[39]
Clash 6/ten[40]
The Daily Telegraph [41]
Drowned in Sound 5/10[42]
The Guardian [43]
NME 9/10[17]
Q [xiv]
Spin 7/10[44]
The Sunday Times [45]

The Family Jewels received generally positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the anthology received an average score of 68, based on 21 reviews.[38] Hugh Montgomery of Q magazine noted that the singer'due south "imaginative reach" was "complemented by a winning popular savviness",[xiv] while Luke O'Neil from The Phoenix stated that "[t]he likes of Kate Nash and company have flitted through this piano siren/exuberant dance-diva territory, but never mind, because this gorgeous genre starts now."[47] Leonie Cooper of NME praised the anthology as "amazing" and wrote that "Diamandis mixes sparkling pop with beautiful darkness for a debut that dazzles".[17]

More mixed reviews were critical of Diamandis' vocal delivery. Lou Thomas from BBC Music commented that "over 13 songs of Sparks-vocalisation and many similar staccato piano riffs listeners may feel bludgeoned",[21] and Sean O'Neal of The A.V. Lodge wrote that after "dozens of squeaky Regina Spektor-ish enunciations" and "Kate Bush-league trills", the "overbearing need to prove herself just ends upwards existence exhausting".[39] Joe Rivers of No Ripcord praised "Are You Satisfied?", "Hollywood" and "Oh No!" but was put off by sudden "howling" in "Hermit the Frog" and a "throaty growl" in "The Outsider".[48] Joe Copplestone of PopMatters concluded that Diamandis would accept to "tone down" these song techniques on future releases every bit not to overshadow "melodically inventive" music.[49]

A negative review came from The Contained 'southward Andy Gill who panned "Shampain" and "Hermit the Frog" equally "as as annoying as their punning titles, with queasy, prancing pianoforte and synth figures". He found certain vocal techniques in "Mowgli's Road" and "I Am Not a Robot" to be "infantile", and evaluated the lyrics of "Girls" and "Hollywood" as shallow.[50] At Drowned in Sound, Mary Bellamy described the album equally split between original songwriting and commercial popular production "at the expense of achieving anything great in either camp".[42] NME placed the album at number 33 on its list of the Top 75 Albums of 2010.[51]

Commercial performance [edit]

The Family unit Jewels debuted at number five on the United kingdom of great britain and northern ireland Albums Chart with get-go-week sales of 27,618 copies.[52] Information technology remains Diamandis' best-selling debut week in the Great britain, after her second studio anthology Electra Heart entered the chart at number one with first-calendar week sales of 21,358 units.[53] Information technology ranked at number 87 in the Official Charts Company'southward list of the highest selling albums of 2010 in the UK.[54] The Family Jewels was later on certified Gold by the British Phonographic Industry (BPI),[55] and had sold 195,358 copies in the United Kingdom as of April 2015.[56] The record debuted at number seven in Greece and number nine in Republic of ireland;[57] [58] information technology was somewhen certified Gold past the Irish Recorded Music Association (IRMA).[59]

The Family Jewels performed moderately on several international tape charts. It reached number 12 in Germany,[sixty] and entered the Austrian nautical chart at number xviii.[61] It peaked at number 88 in kingdom of the netherlands,[62] number 100 in Switzerland,[63] and number 132 in France.[64] In Oceania, the album reached number 79 in Australia.[65] With starting time-calendar week sales of 4,000 copies in the United States, The Family Jewels entered the Billboard 200 at number 138,[66] while peaking at numbers two and 49 on Billboard 's Top Heatseekers and Summit Rock Albums charts, respectively.[67] [68] As of 2012, The Family unit Jewels had sold 300,000 copies worldwide.[69]

In an interview for Australian radio in Jan 2011, Diamandis said that her career that far had been "more similar a failure than a success", particularly in the American market. She attributed this to the inaction of Chop Store Records, her characterization in the Us, every bit well as a move in musical tastes to "pumping beats" by artists like Lady Gaga. She cancelled performances in the United States in order to begin work on a new album.[70]

Track listing [edit]

All tracks are written by Marina Diamandis except where noted.

No. Title Writer(s) Producer(s) Length
1. "Are Yous Satisfied?"
  • Liam Howe
  • Richard "Biff" Stannard
  • Ash Howes
 three:21
2. "Shampain"
  • Diamandis
  • Howe
  • Pascal Gabriel
  • Gabriel
  • Howe
  • Stannard[a]
  • Howes[a]
3:11
3. "I Am Not a Robot" Howe iii:35
4. "Girls"
  • Diamandis
  • Howe
  • Gabriel
  • Gabriel
  • Howe
 iii:28
5. "Mowgli's Route"
  • Diamandis
  • Howe
 Howe iii:12
6. "Obsessions" Howe three:38
vii. "Hollywood"
  • Stannard
  • Howes
  • Starsmith[b]
3:50
8. "The Outsider"
  • Howe
  • Diamandis
 3:17
9. "Hermit the Frog"
  • Howe
  • Diamandis[a]
3:35
ten. "Oh No!"
  • Diamandis
  • Greg Kurstin
 Kurstin iii:02
xi. "Rootless"
  • Diamandis
  • Howe
  • Gabriel
  • Gabriel
  • Howe
 3:28
12. "Numb" Howe 4:16
13. "Guilty"
  • Diamandis
  • Stannard
  • Howes
  • Stannard
  • Howes
 3:40
Total length: 45:35
iTunes Store bonus track[71]
No. Title Producer(s) Length
14. "The Family unit Jewels" Diamandis 4:05
Japanese edition bonus tracks[72]
No. Title Producer(s) Length
xiv. "The Family Jewels" Diamandis four:05
15. "Seventeen" Howe 3:05
16. "Mowgli's Route" (video) 3:02
17. "Hollywood" (video) 3:25
United states standard edition[73]
No. Championship Author(due south) Producer(s) Length
vii. "Hollywood" (single version)
  • Stannard
  • Howes
  • Starsmith[b]
3:24
viii. "The Outsider"
  • Howe
  • Diamandis
 3:17
9. "Guilty"
  • Diamandis
  • Stannard
  • Howes
  • Stannard
  • Howes
 3:40
10. "Hermit the Frog"
  • Howe
  • Diamandis[a]
3:35
eleven. "Oh No!"
  • Diamandis
  • Kurstin
 Kurstin iii:02
12. "Seventeen" Howe 3:05
13. "Numb" Howe four:sixteen
iTunes Store US deluxe edition bonus tracks[74]
No. Title Writer(s) Producer(s) Length
14. "Rootless"
  • Diamandis
  • Howe
  • Gabriel
  • Diamandis
  • Gabriel
  • Howe
 3:28
15. "I Am Non a Robot" ((Flex'd Rework) (Passion Pit Remix))
  • Howe
  • Passion Pit[c]
4:47
sixteen. "Obsessions" (Ocelot Remix)
  • Howe
  • Ocelot[c]
6:26
17. "I Am Not a Robot" (Starsmith 24 Carat Remix)
  • Howe
  • Starsmith[c]
5:18
18. "Hollywood" (video) three:25
2021 digital deluxe edition bonus tracks[75]
No. Title Writer(s) Producer(s) Length
xiv. "Rootless"
  • Diamandis
  • Howe
  • Gabriel
  • Diamandis
  • Gabriel
  • Howe
 3:28
15. "The Family Jewels" Diamandis 4:05
16. "Hollywood" (Gonzales Remix)
  • Stannard
  • Howes
  • Starsmith
  • Gonzales[c]
3:43
17. "Obsessions" (Ocelot Remix)
  • Howe
  • Ocelot[c]
6:26
eighteen. "I Am Not a Robot" ((Flex'd Rework) (Passion Pit Remix))
  • Howe
  • Passion Pit[c]
4:47
19. "I Am Not a Robot" (Starsmith 24 Carat Remix)
  • Howe
  • Starsmith[c]
5:18
20. "I Am Non a Robot" (The Shoes - No Shoes Remix)
  • Howe
  • The Shoes[c]
4:02

Notes

  • ^a signifies an additional producer
  • ^b signifies an original producer
  • ^c signifies a remixer

Personnel [edit]

Credits adapted from the liner notes of The Family Jewels.[76]

Musicians [edit]

  • Marina Diamandis – vocals (all tracks); piano (tracks 1–iii, vi, 8, 12), glockenspiel (track 3); Casio VL-tone (rail 8); organ (track 12)
  • Richard "Biff" Stannard – keys (track one); programming (tracks 1, two, seven, thirteen); additional keys (rail ii); all instruments (tracks seven, xiii); drums (track 7)
  • Ash Howes – keys (track one); programming (tracks 1, two, 7, 13); boosted keys (track two); all instruments (tracks 7, xiii)
  • Luke Potashnick – guitar (rails i)
  • Lucy Shaw – cord arrangements, double bass (tracks 1, iii, vii, ix, 12, 13)
  • Liam Howe – programming (tracks one–3, 5, 6, viii, 9, 12); bass (tracks one, ii, 5, 6); Mellotron (tracks i, 3, six, nine, 12); synths (tracks 1–3, 6, eight); electric guitar, boosted pianoforte (rail ii); Philicorda (track 3, 5, 6, 8, 9, 12); all instruments (tracks 4, xi); spoons, whistle, glockenspiel, acoustic guitar (track 5); Jew's harp, santoor (track viii); mandolin, recorders (tracks nine, 12)
  • Alison Dods – violin (tracks 1, 3, vii, thirteen)
  • Calina de la Mere – violin (tracks 1, 3)
  • Rachel Robson – viola (tracks 1, iii)
  • Chris Allan – cello (tracks 1, 3)
  • Steve Durham – drums (tracks 1–three)
  • Pascal Gabriel – programming (tracks 2, 4, eleven); synths (track 2); all instruments (tracks iv, 11)
  • Alex Mackenzie – harpsichord, drums (tracks v, 6); additional piano, mandolin (rail six)
  • Raymond67 (Freesound Project) – mechanical monkey (rail 5)
  • Sandyrb (Freesound Project) – human monkey (track v)
  • Stephen Large – cord arrangements (tracks seven, xiii); piano (tracks 9, 12); Hammond (runway 12)
  • Niel Catchpole – violin (tracks 7, 13)
  • Oli Langford – viola (tracks 7, 9, 12, 13); violin (tracks vii, thirteen)
  • Anna Mowat – cello (tracks 7, thirteen)
  • Anna Phoebe – violin (tracks 9, 12)
  • Rebekah Allan – violin (tracks nine, 12)
  • Chris Worsey – cello (tracks nine, 12)
  • David Westlake – drums (track 9)
  • Greg Kurstin – keys, guitars, programming (track 10)

Technical [edit]

  • Liam Howe – production (tracks one–6, 8, 9, 11, 12); mixing (rail 3, 5, 6, 8, 9, 12); engineering (tracks 5, 6, 8)
  • Richard "Biff" Stannard – production (tracks 1, vii, xiii); additional production (track ii); mixing (tracks 2, 7, 13)
  • Ash Howes – production (tracks ane, seven, 13); mixing (tracks 1, 2, 7, 13); additional product (runway ii)
  • Richard Wilkinson – engineering (tracks 1–3, 9, 12)
  • Dougal Lott – engineering assistance (tracks 1–3, 9, 12); Pro Tools (track 5)
  • Pascal Gabriel – product (tracks 2, 4, eleven); engineering, mixing (tracks 4, 11)
  • Marina Diamandis – mixing (tracks 4, 11); production (track 8); additional production (runway 9)
  • Starsmith – original production (track seven)
  • Greg Kurstin – production, recording, mixing (track 10)
  • Guy Davie – mastering (tracks 1–9, 11–13)
  • Dave Turner – mastering (runway 10)

Artwork [edit]

  • Mat Maitland – sleeve art
  • Rankin – portraits

Charts [edit]

Certifications and sales [edit]

Release history [edit]

Notes [edit]

  1. ^ Tracks 1–iii, 5, 6, 8, 9 and 12
  2. ^ Tracks 1–3, five, six, 9 and 12
  3. ^ Tracks 1, two, vii and 13
  4. ^ Tracks 4 and eleven
  5. ^ Tracks 7 and xiii
  6. ^ Runway 10

References [edit]

  1. ^ a b c "Marina and the Diamonds denote debut album details and release date". NME. one December 2009. Retrieved 9 September 2015.
  2. ^ a b c Diu, Nisha Lilia (xx January 2011). "'I'm Marina, You're the Diamonds'". The Daily Telegraph . Retrieved 30 June 2015.
  3. ^ Fulton, Rick (12 February 2010). "I once played to seven people in Aberdeen simply things have got better, says music newcomer Marina Diamandis". Daily Record . Retrieved 27 April 2014.
  4. ^ "Marina and the Diamonds: 'I nearly strangled myself at Glastonbury'". NME. 29 June 2009. Retrieved 27 Apr 2014.
  5. ^ a b Brutal, Mark (7 January 2010). "BBC Audio of 2010: Marina and the Diamonds". BBC News . Retrieved 27 Apr 2014.
  6. ^ "Ellie Goulding wins Brit Awards 2010 Critics' Selection prize". Metro. ix December 2009. Retrieved xv Jan 2016.
  7. ^ Azzopardi, Chris (19 July 2012). "Marina and the Diamonds On Nervous Breakdown, Gay Post-obit & Being Ane of the 'Greats'". Betwixt the Lines . Retrieved 25 March 2018.
  8. ^ Rogers, Toby (31 March 2010). "Best of What's Adjacent: Marina & The Diamonds". Paste. Archived from the original on five Apr 2019. Retrieved 21 December 2018.
  9. ^ Watkins, Annaliese (24 Nov 2015). "Review: Marina and the Diamonds @ The Ritz, Manchester". Manchester Evening News . Retrieved 4 June 2021.
  10. ^ Nolan, Paul (23 Feb 2010). "The Family Jewels". Hot Press. Archived from the original on 13 August 2017. Retrieved 23 February 2022.
  11. ^ Hirsh, Marc (24 May 2010). "Marina and the Diamonds, 'The Family unit Jewels'". Boston.com . Retrieved 3 June 2021.
  12. ^ a b Chisling, Matthew. "The Family Jewels – Marina and the Diamonds". AllMusic . Retrieved 28 February 2014.
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  14. ^ a b c Montgomery, Hugh (March 2010). "Marina & the Diamonds – The Family Jewels". Q. No. 284. p. 105. ISSN 0955-4955.
  15. ^ Day, Laurence (ii Jan 2015). "Marina & The Diamonds shares new track "Immortal"". The Line of All-time Fit . Retrieved 21 May 2016.
  16. ^ a b "Obsessions / Mowgli'due south Route seven". Neon Gold Records. Archived from the original on 20 January 2009. Retrieved 27 April 2014.
  17. ^ a b c d Cooper, Leonie (22 February 2010). "Album review: Marina And The Diamonds – 'The Family unit Jewels' (679)". NME. Archived from the original on 25 May 2013. Retrieved 27 Feb 2010.
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  24. ^ a b Rees, Alex (seven September 2010). "Here's "Shampain"—The New Video From Marina & The Diamonds". Teen Vogue . Retrieved 8 September 2010.
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  28. ^ Chocolate-brown, Dan (x February 2010). "Marina & The Diamonds' Hollywood Viral (feat. Gonzales) by Dan Knight". Promo News. Archived from the original on 28 August 2018. Retrieved 12 May 2016.
  29. ^ "Mowgli's Road / Space and the Woods – Single by Marina & The Diamonds". iTunes Shop. U.k.. Retrieved 21 February 2010.
  30. ^ Salmon, Chris (12 November 2009). "Marina Diamandis: shine on you crazy diamond". The Guardian . Retrieved 28 April 2014.
  31. ^ a b c "Marina and the Diamonds". Official Charts Company. Retrieved 25 March 2018.
  32. ^ "Hey Diamonds, as ..." 16 August 2010. Retrieved sixteen August 2010 – via Facebook.
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  34. ^ "Popjustice Twenty Quid Music Prize". Popjustice. Archived from the original on 22 October 2012. Retrieved 21 May 2016.
  35. ^ Dinh, James (xx January 2011). "Katy Perry announces California Dreams Tour dates". MTV News. Retrieved 21 May 2016.
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  43. ^ Petridis, Alexis (18 Feb 2010). "Marina and the Diamonds: The Family unit Jewels". The Guardian . Retrieved 28 February 2014.
  44. ^ Walters, Barry (19 May 2010). "Marina & the Diamonds, 'The Family Jewels' (Chop Store/Atlantic)". Spin. Archived from the original on 17 June 2011. Retrieved 28 April 2012.
  45. ^ Edwards, Marker (xiv February 2010). "Marina & The Diamonds: The Family Jewels". The Sunday Times . Retrieved 14 February 2010.
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